具體描述
The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.
The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.
The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.
用戶評價
##他的用功程度比孝賢還要誇張。現場不需要劇本也是他的用功方法之一。相當可怕的創作方式，等同於先榨乾自己，再榨乾劇組，最後再榨乾一次自己
評分##薑文和鞏俐演中文版《欲望號街車》，王傢衛也是夠能想。
評分##驚世曠世之作也許需要遭逢大難，曆盡苦海波瀾，食盡人間苦味，在絕望中迴首絕望，可健康幸福美滿的人生與創造一流的藝術品並不必然違逆。用並沒有熟練到可以如楊德昌一般用來思維的英語接受采訪也算是典型的墨鏡風格，朦朧模糊的語言類似於他酷愛的停格加印技巧。從訪談錄的層麵評估，隻讀這一本，足夠。
評分##齣個中文版 我照樣買
評分##他的用功程度比孝賢還要誇張。現場不需要劇本也是他的用功方法之一。相當可怕的創作方式，等同於先榨乾自己，再榨乾劇組，最後再榨乾一次自己
評分##film is a behavior, not plot and line
評分##任你如何模仿，這世上就那麼一個王傢衛，浪瞭一生的王傢衛。
評分##印象較深的幾個點：墨鏡對明星魅力的鍾愛，對拉美文學的熱情，對《春光乍泄》政治含義的解釋，和他講述的梁朝偉這二十多年的成長曆程
評分##不評價瞭，書裏的文字說明瞭一切。
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