Winner of the Pulitzer Prize, Tennessee Williams's A Streetcar Named Desire is the tale of a catastrophic confrontation between fantasy and reality, embodied in the characters of Blanche DuBois and Stanley Kowalski. This Penguin Modern Classics edition includes an introduction by Arthur Miller.'I have always depended on the kindness of strangers'Fading southern belle Blanche DuBois is adrift in the modern world. When she arrives to stay with her sister Stella in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella's crude, brutish husband Stanley Kowalski. Eventually their violent collision course causes Blanche's fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness.Tennessee Williams's steamy and shocking landmark drama, recreated as the immortal film starring Marlon Brando, is one of the most influential plays of the twentieth century.Tennessee Williams (1911-1983) was born in Columbus, Mississippi. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a shoe company. He stayed there for two years, spending the evenings writing. He received a Rockefeller Fellowship in 1940 for his play Battle of Angels, and he won the Pulitzer Prize in 1948 and 1955. Among his many other plays Penguin have published The Glass Menagerie (1944), The Rose Tattoo (1951), Cat on a Hot Tin Roof (1955), Sweet Bird of Youth (1959), The Night of the Iguana (1961), and Small Craft Warnings (1972).If you enjoyed A Streetcar Named Desire, you might like The Glass Menagerie, also available in Penguin Modern Classics.'Lyrical and poetic and human and heartbreaking and memorable and funny'Francis Ford Coppola, director of The Godfather'One of the greatest American plays'Observer
##原作的感覺比電影好多瞭!!!大概是因為少瞭嘈雜尖銳的對話聲→_→ Tennessee對兩種style的對白的駕馭,細讀之下令人著迷,說是復調一般的感覺也不為過!還有包括音樂符號在內的各種象徵也是相當有趣的
評分##原版很好看,網上找的中譯本糟透瞭,以後盡量都看原版。
評分What is straight? A line can be straight, or a street, but the human heart, oh, no, it's curved like a road through mountains.
評分##“你無法不愛新奧爾良這些多雨的下午,它們如此漫長,一個小時不再是一個小時,而是滴落在你手心的一小片永恒。”
評分##ntlive的版本看瞭少說有十遍,但看劇本還是完全不一樣的感受,兩方的對話方式差異更為明顯,感觸最大的居然是音樂部分(聽覺/視覺)。Blanche一輩子被那聲槍聲禁錮,但我想不通的是究竟什麼禁錮著Stella,姐妹倆終究都以為可以靠男人拯救自己的人生。死亡的對立麵到底是不是欲望,陌生人的善意又值不值得依靠啊。
評分##Tennessee關於nice people的定義讓人動容,他說他自己ashamed to say, 其實就是最簡單純粹的,反對過多闡釋,反對臉譜化,將戲劇還原於最原本的生活衝突。這本書是我最近最無法自拔的一本,世間有很多看似不閤理的存在,思考如何人性地對待這種存在,並且盡可能融洽地與之共存,在其宿命性的自我毀滅之前如何去做點什麼,永遠是我腦中長久以來遭反復證明又不得要領的一個命題。
評分##ntlive的版本看瞭少說有十遍,但看劇本還是完全不一樣的感受,兩方的對話方式差異更為明顯,感觸最大的居然是音樂部分(聽覺/視覺)。Blanche一輩子被那聲槍聲禁錮,但我想不通的是究竟什麼禁錮著Stella,姐妹倆終究都以為可以靠男人拯救自己的人生。死亡的對立麵到底是不是欲望,陌生人的善意又值不值得依靠啊。
評分##ntlive的版本看瞭少說有十遍,但看劇本還是完全不一樣的感受,兩方的對話方式差異更為明顯,感觸最大的居然是音樂部分(聽覺/視覺)。Blanche一輩子被那聲槍聲禁錮,但我想不通的是究竟什麼禁錮著Stella,姐妹倆終究都以為可以靠男人拯救自己的人生。死亡的對立麵到底是不是欲望,陌生人的善意又值不值得依靠啊。
評分##慘,好可憐,一輩子被一聲槍響桎梏,永遠隻能愛十七歲的年輕人,世道又不好,女人又脆弱,天性又虛榮,mitch也可憐,妹妹也可憐,生活隻對簡單粗暴的人有幸福可言。
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