A Streetcar Named Desire

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Tennessee Williams
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Winner of the Pulitzer Prize, Tennessee Williams's A Streetcar Named Desire is the tale of a catastrophic confrontation between fantasy and reality, embodied in the characters of Blanche DuBois and Stanley Kowalski. This Penguin Modern Classics edition includes an introduction by Arthur Miller.'I have always depended on the kindness of strangers'Fading southern belle Blanche DuBois is adrift in the modern world. When she arrives to stay with her sister Stella in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella's crude, brutish husband Stanley Kowalski. Eventually their violent collision course causes Blanche's fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness.Tennessee Williams's steamy and shocking landmark drama, recreated as the immortal film starring Marlon Brando, is one of the most influential plays of the twentieth century.Tennessee Williams (1911-1983) was born in Columbus, Mississippi. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a shoe company. He stayed there for two years, spending the evenings writing. He received a Rockefeller Fellowship in 1940 for his play Battle of Angels, and he won the Pulitzer Prize in 1948 and 1955. Among his many other plays Penguin have published The Glass Menagerie (1944), The Rose Tattoo (1951), Cat on a Hot Tin Roof (1955), Sweet Bird of Youth (1959), The Night of the Iguana (1961), and Small Craft Warnings (1972).If you enjoyed A Streetcar Named Desire, you might like The Glass Menagerie, also available in Penguin Modern Classics.'Lyrical and poetic and human and heartbreaking and memorable and funny'Francis Ford Coppola, director of The Godfather'One of the greatest American plays'Observer

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##“你无法不爱新奥尔良这些多雨的下午,它们如此漫长,一个小时不再是一个小时,而是滴落在你手心的一小片永恒。”

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##Tennessee关于nice people的定义让人动容,他说他自己ashamed to say, 其实就是最简单纯粹的,反对过多阐释,反对脸谱化,将戏剧还原于最原本的生活冲突。这本书是我最近最无法自拔的一本,世间有很多看似不合理的存在,思考如何人性地对待这种存在,并且尽可能融洽地与之共存,在其宿命性的自我毁灭之前如何去做点什么,永远是我脑中长久以来遭反复证明又不得要领的一个命题。

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##好看!

评分

##“你无法不爱新奥尔良这些多雨的下午,它们如此漫长,一个小时不再是一个小时,而是滴落在你手心的一小片永恒。”

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What is straight? A line can be straight, or a street, but the human heart, oh, no, it's curved like a road through mountains.

评分

##“你无法不爱新奥尔良这些多雨的下午,它们如此漫长,一个小时不再是一个小时,而是滴落在你手心的一小片永恒。”

评分

##Tennessee关于nice people的定义让人动容,他说他自己ashamed to say, 其实就是最简单纯粹的,反对过多阐释,反对脸谱化,将戏剧还原于最原本的生活冲突。这本书是我最近最无法自拔的一本,世间有很多看似不合理的存在,思考如何人性地对待这种存在,并且尽可能融洽地与之共存,在其宿命性的自我毁灭之前如何去做点什么,永远是我脑中长久以来遭反复证明又不得要领的一个命题。

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##惨,好可怜,一辈子被一声枪响桎梏,永远只能爱十七岁的年轻人,世道又不好,女人又脆弱,天性又虚荣,mitch也可怜,妹妹也可怜,生活只对简单粗暴的人有幸福可言。

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##原作的感觉比电影好多了!!!大概是因为少了嘈杂尖锐的对话声→_→ Tennessee对两种style的对白的驾驭,细读之下令人着迷,说是复调一般的感觉也不为过!还有包括音乐符号在内的各种象征也是相当有趣的

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