A Streetcar Named Desire

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Tennessee Williams
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Winner of the Pulitzer Prize, Tennessee Williams's A Streetcar Named Desire is the tale of a catastrophic confrontation between fantasy and reality, embodied in the characters of Blanche DuBois and Stanley Kowalski. This Penguin Modern Classics edition includes an introduction by Arthur Miller.'I have always depended on the kindness of strangers'Fading southern belle Blanche DuBois is adrift in the modern world. When she arrives to stay with her sister Stella in a crowded, boisterous corner of New Orleans, her delusions of grandeur bring her into conflict with Stella's crude, brutish husband Stanley Kowalski. Eventually their violent collision course causes Blanche's fragile sense of identity to crumble, threatening to destroy her sanity and her one chance of happiness.Tennessee Williams's steamy and shocking landmark drama, recreated as the immortal film starring Marlon Brando, is one of the most influential plays of the twentieth century.Tennessee Williams (1911-1983) was born in Columbus, Mississippi. When his father, a travelling salesman, moved with his family to St Louis some years later, both he and his sister found it impossible to settle down to city life. He entered college during the Depression and left after a couple of years to take a clerical job in a shoe company. He stayed there for two years, spending the evenings writing. He received a Rockefeller Fellowship in 1940 for his play Battle of Angels, and he won the Pulitzer Prize in 1948 and 1955. Among his many other plays Penguin have published The Glass Menagerie (1944), The Rose Tattoo (1951), Cat on a Hot Tin Roof (1955), Sweet Bird of Youth (1959), The Night of the Iguana (1961), and Small Craft Warnings (1972).If you enjoyed A Streetcar Named Desire, you might like The Glass Menagerie, also available in Penguin Modern Classics.'Lyrical and poetic and human and heartbreaking and memorable and funny'Francis Ford Coppola, director of The Godfather'One of the greatest American plays'Observer

用户评价

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##Whoever you are — I have always depended on the kindness of strangers

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##偏执寂寞支离破碎摇摇欲坠

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##一本好书。但是一旦老师说:考试里会涉及到这本书。就不想读了好不好。

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##Tennessee关于nice people的定义让人动容,他说他自己ashamed to say, 其实就是最简单纯粹的,反对过多阐释,反对脸谱化,将戏剧还原于最原本的生活冲突。这本书是我最近最无法自拔的一本,世间有很多看似不合理的存在,思考如何人性地对待这种存在,并且尽可能融洽地与之共存,在其宿命性的自我毁灭之前如何去做点什么,永远是我脑中长久以来遭反复证明又不得要领的一个命题。

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##ntlive的版本看了少说有十遍,但看剧本还是完全不一样的感受,两方的对话方式差异更为明显,感触最大的居然是音乐部分(听觉/视觉)。Blanche一辈子被那声枪声禁锢,但我想不通的是究竟什么禁锢着Stella,姐妹俩终究都以为可以靠男人拯救自己的人生。死亡的对立面到底是不是欲望,陌生人的善意又值不值得依靠啊。

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##Blanche DuBois这个角色太经典 Sick people have such deep, sincere attachments....Who ever you are, I have always depended on the kindness of strangers....

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##Tennessee关于nice people的定义让人动容,他说他自己ashamed to say, 其实就是最简单纯粹的,反对过多阐释,反对脸谱化,将戏剧还原于最原本的生活冲突。这本书是我最近最无法自拔的一本,世间有很多看似不合理的存在,思考如何人性地对待这种存在,并且尽可能融洽地与之共存,在其宿命性的自我毁灭之前如何去做点什么,永远是我脑中长久以来遭反复证明又不得要领的一个命题。

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##Whoever you are — I have always depended on the kindness of strangers

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##原版很好看,网上找的中译本糟透了,以后尽量都看原版。

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