編輯推薦
Gulliver's Travels was published in 1726; and although it was by nomeans intended for them the book was soon appropriated by thechildren who have ever since continued to regard it as one of themost delightful of their story books. They cannot comprehend theoccasion which provoked the book nor appreciate the satire whichunderlies the narrative but they delight in the wonderful adventuresand wander full of open-eyed astonishment into the new worldsthrough which the vivid and logically accurate imagination of theauthor so personally conducts them. And therer is ameaning and amoral in the stories of the Voyages to Lilliputand Brobdingnag which is entirely apart fromthe political satire they are intended to convey a meaning and a moral which the youngest childwho can read it will not fail to seize and upon which it is scarcely necessary for the teacher to comment.
Gulliver's Travels (1726 amended 1735) is a novelby Jonathan Swift that is both a satire onhuman nature and a parody of the “travellers'tales” literary sub-genre. It is Swift's bestknown full-length work and a classic ofEnglish literature
The book became tremendously popular assoon as it was published. (ohn Gay said in a1726 letter to Swift that “it is universally readfrom the cabinet council to the nursery”); sincethen it has never been out of print.
內容簡介
《格列佛遊記(英文版)》是一本優秀的政治諷刺小說,一捲講述格列佛在小人國的奇遇,第二捲描述格列佛遭遇海難後遊曆大人國;第三捲講述在航海途中遭到海盜襲擊,在小島上的經曆,第四捲是在智馬國的經曆。其實,所謂小人國、大人國、智馬國,無非是當年英國社會現實的反映。作者斯威夫特一生既傲過牧師,又曾積極投身政治活動。寫過大量錶達政治主張的小冊子。因而,這部遊記筆鋒犀利,想象豐富,對當時議會政治及反動的宗教勢力都有尖銳盼諷刺。高爾基就曾稱斯威夫特為“偉大文學的創造者之一”。
斯威夫特在英國文學乃至世界文學中都産生瞭極為深遠的影響,20世紀英國著名諷刺作傢威爾斯自稱一生讀這《格列佛遊記(英文版)》不下六次,因而纔寫齣著名政治預言小說《1984》和《動物莊園》。
作者簡介
Jonathan Swift(1667——1745)was an Anglo-Irish satirist,essayiSt,political pamphleteer(first for Whigs then for the Tories),poet and cleric who became Dean of St.Patrick’s,Dublin.He is remembered for works such as Glliver's Travels,A Modest Proposal,A yournal to Stella,Drapkr'sLetters,The Battle ofthe Books,An Argument Against AbolishingChristianity,andA Tak ofa Tub.Swift is probably the foremost prose satirist in the English language,and is lesswell known for his poetry.
Swift originally published all of his works under pseudonyms-such as Lemuel Gulliver,Isaac Bickerstaff,M.B.Drapier—or anonymously He is also known for being a master of two styles of satire:the Horatian and Juvenalian styles.
目錄
THE PUBLISHER TO THE READER
PART ONE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
PART TWO
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
PART THREE
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
PART FOUR
CHAPTER I
CHAPTER II
CHAPTER III
CHAPTER IV
CHAPTER V
CHAPTER VI
CHAPTER VII
CHAPTER VIII
CHAPTER IX
CHAPTER X
CHAPTER XI
CHAPTER XII
精彩書摘
The author gives some account of himself and family.His first inducements to travel He is shipwrecked, andswims for his life, gets safe on shore in the country ofLilliput, is made a prisoner, and carried up the country.Y FATHER had a small estate in Nottinghamshire;I was the third of five sons. He sent me toEmanuel College in Cambridge at fourteenyears old, where I resided three years, and applied myselfclose to my studies; but the charge of maintaining mealthough I had a very scanty allowance, being too great for anarrow fortune, I was bound apprentice to Mr. James Bates,an eminent surgeon in London, with whom I continuedfour years My father now and then sending me small sumsof money, I laid them out in learning navigation, and otherparts of the mathematics, useful to those who intend totravel, as I always believed it would be some time or othermy fortune to do. When I left Mr. Bates, I went down to myfather; where, by the assistance of him and my uncle John,and some other relations, I got forty pounds, and a promiseof thirty pounds a year to maintain me at Leyden: there Istudied physic two years and seven months, knowing itwould be useful in long voyages. Soon after my return from Leyden, I was recommendedby my good master Mr. Bates, to be surgeon to the Swallow,Captain Abraham Pannel commander; with whom Icontinued three years and a half.
前言/序言
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格列佛遊記(英文版) [Gulliver's Travels] epub pdf mobi txt 電子書 下載 2025
格列佛遊記(英文版) [Gulliver's Travels] 下載 epub mobi pdf txt 電子書
評分
☆☆☆☆☆
好書,值得收藏,活動很實惠,買瞭很多先收藏,慢慢分享給朋友
評分
☆☆☆☆☆
經典著作,印刷的還可以
評分
☆☆☆☆☆
Gulliver's Travels was published in 1726; and, although it was by nomeans intended for them, the book was soon appropriated by thechildren, who have ever since continued to regard it as one of themost delightful of their story books. They cannot comprehend theoccasion which provoked the book nor appreciate the satire whichunderlies the narrative, but they delight in the wonderful adventures,and wander full of open-eyed astonishment into the new worldsthrough which the vivid and logically accurat
評分
☆☆☆☆☆
質量好,品相好,非常滿意。
評分
☆☆☆☆☆
評分
☆☆☆☆☆
孩子喜歡的
評分
☆☆☆☆☆
給兒子買的,看瞭感覺還挺好
評分
☆☆☆☆☆
質量好,品相好,非常滿意。
評分
☆☆☆☆☆
這套世界名著,英語版,一直想買,進口書品質好的貴,買不起,品質不好的進口書紙質太差,字體小。此書還是國內版的紙質好,字體大,大16開,價格不錯,京東再優惠,就更實惠。 1930年3月,老捨迴到祖國。同年7月,到濟南齊魯大學任教。翌年夏,與後來成為國畫傢的鬍絜青結婚。1934年,改任青島山東大學教授。他在這兩所大學,先後開設過《文學概論》、《歐洲文藝思潮》、《外國文學史》以及寫作方麵的課程。課餘繼續長篇小說的創作。《貓城記》(1932)以寓言的形式揭露舊中國的腐敗,針砭保守愚昧的民族習性和畏懼洋人的奴纔心理。同時流露齣對於國事的悲觀和對於革命的誤解,是一部瑕瑜互見、頗多爭議的作品。《離婚》(1933)描寫一群公務員的庸碌生活,對此作瞭嘲弄和揶揄,充分錶現齣他作為北京市民社會的錶現者和批判者、作為幽默作傢的特點,是一部很能代錶老捨風格的作品。《牛天賜傳》(1934)和中篇《月牙兒》(1935)、《我這一輩子》(1937),都從街頭巷尾攝下市井細民的生活場景。前者是對於世俗生活和市民心理的嘲諷,充滿笑料;後兩者是對於人間不平的抨擊,飽含著憤懣和哀悼,作品的筆調也隨之變得沉重。 抗日戰爭把老捨捲進瞭時代的漩渦。1937年10月,重新迴到齊魯大學任教的老捨,在濟南行將淪陷的前夕,隻身奔赴武漢。1938年 3月,中華全國文藝界抗敵協會在武漢成立,他被選為理事兼總務部主任,主管協會的日常事務,成為這個團體實際上的主要負責人。1939年6月,他參加全國慰勞總會北路慰問團,慰問抗戰軍民。近半年之中,行程兩萬餘裏,曆經川、鄂、豫、陝、寜、青、甘、綏八省,包括延安和陝甘寜抗日民主根據地。這些,都開闊瞭他的視野,豐富瞭他的生活。過去由於與革命力量革命運動有些隔膜,産生過誤解,這時通過接觸和共同工作,增進瞭瞭解,他的政治態度明顯地激進起來。1944年,茅盾曾經指齣:“如果沒有老捨先生的任勞任怨,這一件大事——抗戰的文藝傢的大團結,恐怕不能那樣順利迅速地完成,而且恐怕也不能艱難睏苦地支撐到瞭。”(《光輝工作二十年的老捨先生》)為瞭在文藝界貫徹中國共産黨提齣的抗日統一戰綫政策,排除國民黨頑固派的破壞乾擾,為瞭保障作傢的正當權益,他都做瞭不少工作。抗戰後期,他又投身日漸高漲的民主運動之中。1944年 4月,重慶等地的各界人士舉行老捨創作生活20周年的紀念活動,從不同的方麵對他作齣瞭高度評價。老捨不再是一個單純埋頭寫作的作傢,他成瞭文藝界的組織者和社會活動傢,成瞭抗日和爭取民主的戰士。 以上變化也鮮明地反映在他的創作中。戰爭一爆發,他就立刻放棄已經寫瞭幾萬字的兩部長篇小說,而成為通俗文藝最熱心的鼓吹者和實踐者。他先後在濟南、武漢、重慶等地,與演唱麯藝的藝人討論編寫抗戰鼓詞的問題,自己也利用各種舊形式寫瞭不少宣傳抗戰的通俗作品,包括京劇、鼓詞、相聲、數來寶、墜子等,供藝人演齣。這 些作品,一部分收入《三四一》(1938)中。在文藝界關於“民族形式”的討論中,他寫作瞭"新舊相融"(《我怎樣寫〈劍北篇〉》)的長詩《劍北篇》(1940~1942,未完)。隨後,又開始創作話劇,或者個人編寫或者與彆人閤作,連續寫瞭《殘霧》(1939)、《國傢至上》(1940)等十幾個劇本:有的號召民族團結,有的歌頌愛國將領,有的揭露“大後方”的黴爛墮落,抗戰救國是這些作品的共同主題。他後來總結說:“我不明白舞颱的訣竅,所以總耍不來那些戲劇的花樣”,“我老是以小說的方法去述說”(《閑話我的七個話劇》),這些劇本在話劇藝術上確實存在明顯的弱點。但通過這些努力,為他50年代的劇作作瞭很好的準備。1944年初,老捨開始創作長篇小說《四世同堂