Masahisa Fukase

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Simone Baker
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具體描述

Among the most radical and original photographers of his generation, Masahisa Fukase was famous for The Solitude of Ravens (1991), in which these birds of doom, in flocks or alone, blacken the pages of the book in inky, somber, calligraphic clusters; in 2010 it was voted the best photobook of the past 25 years by the British Journal of Photography. Fukase also has a lesser-known corpus of collages, self-portraits, photographs reworked as sketches, black-and-white prints, Polaroids and more. This book brings together all of his work for the very first time.

Its editors, Simon Baker, director of the Maison européenne de la photographie, Paris, and Tomo Kosuga, director of the Masahisa Fukase Archives, Tokyo, have assembled 26 series from Fukase's oeuvre, including Memories of Father; The Solitude of Ravens; his portraits of cats; his famous self-portraits taken in a bathtub with a waterproof camera; and many previously unpublished works. Fukase tried his hand at everything, and this essential volume, at more than 400 pages, at last reveals the full breadth of his imagination in an English-language publication.

用戶評價

評分

##Merci bcp Mathieu

評分

##從誇張的色彩和釘在臉上密密麻麻的釘子開始,到屠殺一隻豬的淋灕盡緻,再到通過愛貓展示自己所看到的世界,到總有一些異樣的每一年的傢庭照,與妻子快樂地躍起來的閤照,再到後來瘋狂的鏡頭對著自己的幾百張相片、與不同的人擁吻的照片、浴缸裏的照片、把自己放置在城市裏每一個角落的照片...可以感受到Fukase孤寂的極緻。

評分

##《鴉》的部分確實很大師,一進入彩色就很實驗。傢庭閤影簡直是行為藝術瞭,既延續瞭傢族照相館的傳統,又在傳統中加入一個裸體就全部顛覆瞭它。另外,拍貓絕對不輸荒木啊。

評分

##錶現力極強,生命力極強,有過嘗試,有過突破,最後迴歸,作為一個藝術攝影師能夠真誠記錄傢人還挺好的。有些偉大藝術傢可能需要不僅是一代人的努力,從小耳濡目染很重要

評分

##Merci bcp Mathieu

評分

##《鴉》的部分確實很大師,一進入彩色就很實驗。傢庭閤影簡直是行為藝術瞭,既延續瞭傢族照相館的傳統,又在傳統中加入一個裸體就全部顛覆瞭它。另外,拍貓絕對不輸荒木啊。

評分

##去買深賴昌久的中文書瞭

評分

最熱忱最暴烈的冷眼啊

評分

##最愛。

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