Francoise Barbe-Gall studied history of art at the Sorbonne and also at the Ecole du Louvre, where she now teaches. She also directs an association called CORETA (Comment Regarder un Tableau), for whom she gives many lectures. She is regularly called upon to participate in management workshops, where her experience of analysing images in relation to publicity and marketing is called upon. Editions de l'Agenda de L'Empresa have published a collection of her articles, and she is the author of several articles on the work of the sculptor Tom Carr. She is the author of How to Talk to Children about Art and How to Understand a Painting, both published in English by Frances Lincoln.
Choosing ten symbols from the natural world (the sun, the shell, the bird) and ten man-made (the window, the book, the mirror), Françoise Barbe-Gall illuminates our understanding of how these have been used and developed in art from the fifteenth to the twenty-first century, with sixty-eight wonderfully vivid examples.
Painting has always made abundant use of forms and objects to convey abstract ideas: love, hope for eternal life, loyalty or betrayal. These recurring motifs, which were familiar to many in the past, have mostly become mysterious to the audiences of today. Today's art-lover will have to learn to look out for all the small things that can so easily seem like unimportant details, or simply decoration. But a flower, a reflection in a mirror or a bird in flight nearly always mean more than they first appear to.
From Holbein's apple of knowledge to the black cat at the foot of Manet's Olympia, from Magritte's mysterious candles to Georgia O'Keeffe's flowers, this book shows how each work makes use of the language of symbols in an original and more meaningful way.
##我是一个画盲,如果有这么一个词的话。但这并不妨碍我对艺术的热爱,尽管我不懂,我渴望理解艺术家们笔下流动的生命,希冀通过这些颜色和形状感受到他们的情感。对于创作来说,大巧不工是艺术追求的境界,但技艺的运用尤其是无意识的渗透和影响,也是不可或缺的手段,而在创作...
评分 评分 评分 评分 评分##封面上的美人出自画像《模仿的寓言:拿着面具和石榴的女人》,完整的画面中,她的手在画的边缘,拿着一个半开的石榴和面具,表情冷漠而动人,而她内心在思考着什么呢?除开一个美丽的脸庞,所有能够让人们理解到画中流露出的感情,传达出一切的,唯有面具和石榴这两种...
评分##美学大师朱光潜在《谈美》中说,“欣赏之前要有了解。了解是欣赏的预备,欣赏是了解的成熟。”,他也坚信,“情感比理智重要,要求人心净化,先要求人生美化, 因为美感的世界是纯粹意象世界,超乎利害关系而独立。”从这个意义上来说,学会欣赏艺术是比背诵道德家言更能...
评分 评分##不想当艺术符号学家的宗教画家不是一个好阐释学家。 我不是学绘画的,也不了解西方宗教,到现在为止甚至没有去过什么像样的画展或者博物馆展览。西方绘画里,除了实在是名声太响亮、普及率太高的名家名作,从作者到绘画技法再到内涵表达,基本一无所知。即使如此,...
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2025 book.tinynews.org All Rights Reserved. 静思书屋 版权所有