Amal El-Mohtar
Amal El-Mohtar is an award-winning author, editor, and critic. Her short story “Seasons of Glass and Iron” won the Hugo, Nebula, and Locus awards and was a finalist for the World Fantasy, Sturgeon, Aurora, and Eugie Foster awards. She is the author of The Honey Month, a collection of poetry and prose written to the taste of twenty-eight different kinds of honey, and contributes criticism to NPR Books and The New York Times. Her fiction has most recently appeared on Tor and Uncanny Magazine, and in anthologies such as The Djinn Falls in Love & Other Stories and The Starlit Wood: New Fairy Tales. She is presently pursuing a PhD at Carleton University and teaches creative writing at the University of Ottawa. She can be found online at @Tithenai.
Max Gladstone
Max Gladstone is the author of the Hugo-nominated Craft Sequence, which Patrick Rothfuss called “stupefyingly good.” The sixth book, Ruin of Angels, was released September 2017. Max’s interactive mobile game Choice of the Deathless was nominated for the XYZZY Award, and his critically acclaimed short fiction has appeared on Tor and in Uncanny Magazine, and in anthologies such as XO Orpheus: Fifty New Myths and The Starlit Wood: New Fairy Tales. John Crowley described Max as “a true star of 21st-century fantasy.” Max has sung in Carnegie Hall and was once thrown from a horse in Mongolia.
In the ashes of a dying world, Red finds a letter marked “Burn before reading. Signed, Blue.”
So begins an unlikely correspondence between two rival agents in a war that stretches through the vast reaches of time and space.
Red belongs to the Agency, a post-singularity technotopia. Blue belongs to Garden, a single vast consciousness embedded in all organic matter. Their pasts are bloody and their futures mutually exclusive. They have nothing in common—save that they’re the best, and they’re alone.
Now what began as a battlefield boast grows into a dangerous game, one both Red and Blue are determined to win. Because winning’s what you do in war. Isn’t it?
A tour de force collaboration from two powerhouse writers that spans the whole of time and space.
##把書信寫在樹木的年輪裏,寫在鱈魚的身體上,寫進熔岩,寫進一隻偶然邂逅的加拿大鵝脫下的兩朵羽毛……just so romantic。
評分 評分##把信刻在一圈圈的樹木年輪裏,藏在呼嘯撕扯的狂風中,在血腥腐爛的戰場上丟下一張奶油色的信紙,在咕咕冒泡的水分子中沸騰齣奚落與嘲笑……不能讓你的形象留在我身體中哪怕一絲一毫的縴維裏,就讓心中萬物幻化交融成你,很難說這種愛慕有什麼意義。而更難說的是,對在時間綫中踱步、相抗、共舞的她們而言,不這樣相愛有什麼意義?
評分##今年星雲奬得主,穿越時空的殺死伊芙。劇情非常少,大部分是兩個女人的情書。很詩意,很浪漫——有點太浪漫瞭,浪漫到有點兒牙磣。“I’ll be all the poets, I’ll kill them all and take each one’s place in turn, and every time love’s written in all the strands it will be to you.”
評分 評分 評分##今年星雲奬得主,穿越時空的殺死伊芙。劇情非常少,大部分是兩個女人的情書。很詩意,很浪漫——有點太浪漫瞭,浪漫到有點兒牙磣。“I’ll be all the poets, I’ll kill them all and take each one’s place in turn, and every time love’s written in all the strands it will be to you.”
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