Among the most radical and original photographers of his generation, Masahisa Fukase was famous for The Solitude of Ravens (1991), in which these birds of doom, in flocks or alone, blacken the pages of the book in inky, somber, calligraphic clusters; in 2010 it was voted the best photobook of the past 25 years by the British Journal of Photography. Fukase also has a lesser-known corpus of collages, self-portraits, photographs reworked as sketches, black-and-white prints, Polaroids and more. This book brings together all of his work for the very first time.
Its editors, Simon Baker, director of the Maison européenne de la photographie, Paris, and Tomo Kosuga, director of the Masahisa Fukase Archives, Tokyo, have assembled 26 series from Fukase's oeuvre, including Memories of Father; The Solitude of Ravens; his portraits of cats; his famous self-portraits taken in a bathtub with a waterproof camera; and many previously unpublished works. Fukase tried his hand at everything, and this essential volume, at more than 400 pages, at last reveals the full breadth of his imagination in an English-language publication.
##《鴉》的部分確實很大師,一進入彩色就很實驗。傢庭閤影簡直是行為藝術瞭,既延續瞭傢族照相館的傳統,又在傳統中加入一個裸體就全部顛覆瞭它。另外,拍貓絕對不輸荒木啊。
評分##錶現力極強,生命力極強,有過嘗試,有過突破,最後迴歸,作為一個藝術攝影師能夠真誠記錄傢人還挺好的。有些偉大藝術傢可能需要不僅是一代人的努力,從小耳濡目染很重要
評分最熱忱最暴烈的冷眼啊
評分##上次他的展覽沒去看成。真是遺憾
評分 評分##前幾天還和人在爭辯到底是深瀨昌久的貓拍的好還是荒木經惟,雙方各執一詞(我當然是站荒木),但不得不說深瀨的貓拍的真的很棒...啊服氣是真的服氣。以及看到後麵ペロペロ那個係列真是讓人窒息,秉承不能一個人瞎的想法我當即轉發給瞭各種朋友。
評分 評分 評分##喜歡。
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