John Powers is a writer and film critic. Powers covers film and politics for Vogue and Vogue.com and is the pop-culture critic and critic-at-large on NPR's Fresh Air with Terry Gross. His work has appeared in numerous publications, including Harper's, The Nation, Gourmet, The Washington Post, the New York Times, and L.A. Weekly, where he spent twelve years as a critic and columnist.
The long-awaited retrospective from the internationally renowned film director celebrated for his visually lush and atmospheric films. Wong Kar Wai is known for his romantic and stylish films that explore—in saturated, cinematic scenes—themes of love, longing, and the burden of memory. His style reveals a fascination with mood and texture, and a sense of place figures prominently. In this volume, the first on his entire body of work, Wong Kar Wai and writer John Powers explore Wong's complete oeuvre in the locations of some of his most famous scenes.
The book is structured as six conversations between Powers and Wong (each in a different locale), including the restaurant where he shotIn the Mood for Love and the snack bar where he shot Chungking Express. Discussing each of Wong's eleven films—fromAs Tears Go By and Days of Being Wild to 2046 and The Grandmaster—the conversations also explore Wong's trademark themes of time, nostalgia, and beauty, and their roots in his personal life.
The first book by Wong Kar Wai, and the first comprehensive look at his oeuvre, this stunning, lavishly illustrated volume is as evocative as walking into one of Wong's lush films. With more than 250 photographs and film stills and an opening critical essay by Powers, this volume is poised to become the film book of the year.
##你是誰? 不是名字、身份、地位 , 能夠講清楚的,不多 , 這世間,大多數靈魂,都沒有歸所。 早些年,身邊人都有偶像,覺得奇怪,曾跟風嘗試過,卻找不到一個理由說喜歡。 所以,少年記憶裏沒有留下什麼印象深刻的藝人,這些年,經曆瞭些事,遇見瞭些人, 讀瞭些故事,也問瞭...
評分 評分##在對話五裏終於談到攝像頭的角度。他說,“我不喜歡像楊德昌拍攝時從上往下的那種俯視的角度,也不喜歡在拍攝時仰視他們,像小津那樣。我喜歡在看電影時,人們與演員們處在同一水平綫上,彼此處在平等的位置,能夠與他們共情。” 談到為何不拍攝傢庭時,他說,“我對大傢庭或一...
評分 評分##薑文和鞏俐演中文版《欲望號街車》,王傢衛也是夠能想。
評分##有料且裝幀美好,收藏佳品,看得停不下來。the true self of an artist can never be copied,所以能窺探到墨鏡的創作心態,已經很滿足瞭。加上一些有趣的邊角八卦,very enjoyable book。還有作者雖然還是有點太西方思維以緻有時get不到王傢衛電影裡某些東方元素,但整體而言非常懂行且有品味。btw 跟natives的英文寫作一對比我覺得我的是災難啊啊啊
評分##1. 譚傢明《最後勝利》某種意義上是《旺角卡門》的續集。兩部電影都來自於王傢衛和譚傢明構思的一套黑幫三部麯,第一部講兩個男主角的童年故事,第二部是青年,第三部是中年。結果先拍瞭第三部。等到王傢衛獨立做導演的時候,選擇瞭第二部的故事拍瞭《旺角卡門》。 2. 傳說中的...
評分##film is a behavior, not plot and line
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