Born on October 31, 1883 in Paris, the young Marie Laurencin was sent to Sèvres by her mother in 1901, where she got familiar with porcelain painting.

齣生於1883年10月31日在巴黎，年輕的瑪麗洛朗桑被送往sèvres由她的母親於1901年，她在那裏得到熟悉的瓷畫。

Her education continued at a school in Paris, followed by the Humbert academy, where Marie Laurencin got acquainted with Georges Braque.

她的教育，繼續在一所學校在巴黎，其次是恩貝爾學院，瑪麗洛朗桑相識與喬治braque 。

She soon met Picasso and Guillaume Apollinaire, who supported her from this time on and integrated her in discussions about art theory, which soon lead to Cubism.她很快會見瞭畢加索和紀堯姆阿波利奈爾，是誰支持她，從這個時候就和她在綜閤討論的藝術理論，這很快導緻立體主義。

The artist's own creative work, however, remained untouched by such theoretical demands; it shows mainly lyrical motifs like graceful, dreamy young girls in pastel coloring and soft shading.

藝術傢自己的創造性勞動，但是，仍然無動於衷，如理論的要求;它主要錶現在抒情優美的圖案一樣，夢幻般的年輕女孩在粉彩著色和軟陰影。

This color-sensitive inventiveness leads to a variation of repetitions of form and motifs.

此顔色敏感的發明導緻瞭變化重復的形式和圖案。

The influence of Persian miniature painting and Rococo art are undeniable in Laurencin's works.

影響波斯語的縮影繪畫及洛可可藝術是不可否認的在洛朗桑的作品。

In 1907 Marie Laurencin gave her debut at the "Salon des Indépendants," followed by a large exhibition at Barbazanges' in 1912 and at P. Rosenberg's in 1920.

在1907年瑪麗洛朗桑給瞭她首次在“沙龍萬indépendants ” ，其次是由一個大型展覽在barbazanges '在1912年和頁羅森伯格' S在1920年。 From 1924 Laurencin also worked on designing stage sets.

從1924年洛朗桑還緻力於設計階段套。 She produced stage design for Diaghilev's "Ballets russe" and the set for the "Comédie Francaise" in 1928.

她製作的舞颱設計為diaghilev的“芭蕾舞russe ” ，並設置為“ comédie法國”在1928年。

She also illustrated books, such as André Gide's "La Tentative Amoureuse" and Lewis Caroll's "Alice in Wonderland."

她還說明瞭書籍，如安德烈紀德的“ La暫定amoureuse ”和Lewis caroll的“李翹如在仙境” 。

平裝 20世紀初，在引人注目的巴黎畫壇上有一位獨具藝術物質和風貌的女畫傢，她以自己特有的藝術纔華和天賦，以獨有的畫作創造充分錶現瞭當時巴黎女生特有的時尚和風雅，引起瞭巴黎畫壇的特彆關注。這就是——瑪麗·羅蘭珊。本書收錄瞭巴黎女畫傢羅蘭珊的繪畫作品，每圖附名稱，尺寸，年代等，供讀者賞析！