內容簡介
The classic tale of a peddler, some monkeys and their monkey business.
作者簡介
Esphyr Slobodkina (the name is pronounced ess-FEER sloh-BOD-kee-nah) was born in the Siberian town of Chelyabinsk on Sept. 22, 1908.
Esphyr immigrated to the United States on a student visa at the age of 29. She enrolled at the National Academy of Design, NYC, and in the 1930s, she worked painting lamp shades and soon after murals for the WPA. Esphyr was a founding member of the American Abstract Artists, which began amid controversy in 1936.
In 1937 Slobodkina met the children's author Margaret Wise Brown. In an effort to find work as an illustrator, Slobodkina wrote and illustrated a story with collage called Mary And The Poodies to present to Brown. This began a new career for Slobodkina, who illustrated many children's stories for Ms. Brown (including Sleepy ABCs and the Big and Little series) while still continuing her work as an abstract artist.
In her autobiography, (portions available through this web-site) Ms. Slobodkina wrote, "When Margaret died, I was left without a writer, and since she always insisted that she liked the way I told my stories, I took a deep breath and began to send them to my agent." Ms. Slobodkina took her responsibility as a children's book author seriously. In her memoir she wrote: "The verbal patterns and the patterns of behavior we present to children in these lighthearted confections are likely to influence them for the rest of their lives. These aesthetic impressions, just like the moral teachings of early childhood, remain indelible."
Caps for Sale was first published in 1938. Since then it has sold more than two million copies. Today it is considered a children's book classic as generation after generation pass the story along to new readers. In sales it ranks with such classics as Good Night Moon, according to Publisher's Weekly.
Caps for Sale, won a Lewis Carroll Shelf Award in 1958 and is memorialized in a painting by Ms. Slobodkina on permanent exhibition in the West Hartford Library, CT.
Ms. Slobodkina wrote and illustrated numerous other books, including Mary and The Poodies (1937), The Wonderful Feast, (1955), The Clock (1956), The Long Island Ducklings (1961), and Pezzo the Peddler and the Circus Elephant, which was first published in 1967 and was reissued in 2002 as Circus Caps for Sale, to name a few.
At the age of 88, Esphyr's primary focus became overseeing the production of musical storybook cassettes of all twenty of her children's books.
At age 90, Esphyr designed a mini museum in Glen Head, Long Island, NY (through her Slobodkina Foundation) as a place where guests can visit and view more than 200 works of art, her handmade dolls and jewelry, as well as her complete collection of children's storybooks, including some original illustrations.
Famed artist and author Esphyr Slobodkina was a leader of the abstract movement in the United States from the 1930s until her death at age 93 in July 2002.
精彩書評
A Tale of a Peddler, Some Monkeys and Their Monkey Business, this absurd and very simple story has become a classic, selling hundreds of thousands of copies since its first publication in 1940. A peddler walks around selling caps from a tall, tottering pile on his head. Unable to sell a single cap one morning, he walks out into the countryside, sits down under a tree, checks that all the caps are in place, and falls asleep. When he wakes up, the caps are gone--and the tree is full of cap-wearing monkeys. His attempts to get the caps back generate the kind of repetitive rhythm that 3- and 4-year-olds will adore.
--Richard Farr
"From an old folk tale [the author] has fashioned this bright picture book, infusing it with a humor which seems to have sprung from her own hearty enjoyment of the troubles of a peddler with a abnd of monkeys."
--The New York Times
前言/序言
Caps for Sale賣帽子 英文原版 [平裝] [4-8歲] epub pdf mobi txt 電子書 下載 2025
Caps for Sale賣帽子 英文原版 [平裝] [4-8歲] 下載 epub mobi pdf txt 電子書
評分
☆☆☆☆☆
我國自商周(包括春鞦戰國)至秦漢,重送死、興厚葬之風在統治階級中盛行。目前我們看到的商周至秦漢時期的隨葬品、帛畫和墓室壁畫,無不是重送死、興厚葬之風的體現。與之相伴的就是隆重的祭祀巫祝活動。盡管形式不同,但他們的目的不外兩個:其一是讓死者升天.好讓其過著生前一樣的享樂生活;其二是讓死者保佑其後代或本氏族興旺發達。中原與邊疆、北方與南方,盡管習俗不同,體現形式不同,但目的是一緻的。據《寜明縣誌》載,寜明在土司統治時代,重送死、興厚葬之風十分盛行,並有一定程式。如“寜明、明江一帶,喪者八歲以下,於1-2日殯葬。壽終者或已成傢者,停喪很久,一般在5個月以上。如過早殯葬,就被指責為‘幸親之死’。寜明州的喪禮:收殮後請道士做七次道場。臨將殯葬有供飯禮。供飯的次日起,連做七晝夜道場。做道場期間,奔喪親朋都食素飯。
評分
☆☆☆☆☆
廣西左江流域,崖壁畫十分豐富,據目前查明有84個點,其中以寜明花山崖壁畫為最。
評分
☆☆☆☆☆
我國自商周(包括春鞦戰國)至秦漢,重送死、興厚葬之風在統治階級中盛行。目前我們看到的商周至秦漢時期的隨葬品、帛畫和墓室壁畫,無不是重送死、興厚葬之風的體現。與之相伴的就是隆重的祭祀巫祝活動。盡管形式不同,但他們的目的不外兩個:其一是讓死者升天.好讓其過著生前一樣的享樂生活;其二是讓死者保佑其後代或本氏族興旺發達。中原與邊疆、北方與南方,盡管習俗不同,體現形式不同,但目的是一緻的。據《寜明縣誌》載,寜明在土司統治時代,重送死、興厚葬之風十分盛行,並有一定程式。如“寜明、明江一帶,喪者八歲以下,於1-2日殯葬。壽終者或已成傢者,停喪很久,一般在5個月以上。如過早殯葬,就被指責為‘幸親之死’。寜明州的喪禮:收殮後請道士做七次道場。臨將殯葬有供飯禮。供飯的次日起,連做七晝夜道場。做道場期間,奔喪親朋都食素飯。第一章 原始社會崖畫彩陶
評分
☆☆☆☆☆
花山崖壁畫與左江其他地方的崖壁畫有極其相似之處。基本圖像有四種:一、正身人像;二、側身人像;三、動物形象;四、圓形物象。此外,尚有所謂“羊角紐鍾”物(1個),三角棱形物(3個)。根據新修的《寜明縣誌》統計,整個花山崖壁畫,正身人像能看清的有350個。基本上為方頭粗頸形與圓頭細頸形兩種。身高多在0.6米至1.5米左右(最小的僅0.1米.最大的2.4米)。都做蛙形半蹲狀,雙手屈肘嚮上伸,手指三個五個不等。有的頭上有倒八字形飾物。少數人像腰間佩劍或環首刀,腳下有動物。
評分
☆☆☆☆☆
幫人買的,應該不錯。
評分
☆☆☆☆☆
紙闆書字有點小,可能還是平裝的好些
評分
☆☆☆☆☆
書很好,寶寶很喜歡,還自己講瞭好多遍。
評分
☆☆☆☆☆
花山崖壁畫與左江其他地方的崖壁畫有極其相似之處。基本圖像有四種:一、正身人像;二、側身人像;三、動物形象;四、圓形物象。此外,尚有所謂“羊角紐鍾”物(1個),三角棱形物(3個)。根據新修的《寜明縣誌》統計,整個花山崖壁畫,正身人像能看清的有350個。基本上為方頭粗頸形與圓頭細頸形兩種。身高多在0.6米至1.5米左右(最小的僅0.1米.最大的2.4米)。都做蛙形半蹲狀,雙手屈肘嚮上伸,手指三個五個不等。有的頭上有倒八字形飾物。少數人像腰間佩劍或環首刀,腳下有動物。
評分
☆☆☆☆☆
小小的一本還挺貴的,希望孩子喜歡