The Glass Menagerie

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Tennessee Williams
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Penguin Classics 2009-7-1 Paperback 9780141190266

具体描述

Thomas Lanier "Tennessee" Williams III (March 26, 1911 – February 25, 1983) was an American playwright. Along with Eugene O'Neill and Arthur Miller, he is considered among the three foremost playwrights of 20th-century American drama.

After years of obscurity, he became suddenly famous with The Glass Menagerie (1944), a play that closely reflected his own unhappy family background. This heralded a string of successes, including A Streetcar Named Desire (1947), Cat on a Hot Tin Roof (1955), and Sweet Bird of Youth (1959). His later work attempted a new style that did not appeal to audiences, and alcohol and drug dependence further inhibited his creative output. His drama A Streetcar Named Desire is often numbered on short lists of the finest American plays of the 20th century alongside Eugene O'Neill's Long Day's Journey into Night and Arthur Miller's Death of a Salesman. Much of Williams' most acclaimed work was adapted for the cinema. He also wrote short stories, poetry, essays and a volume of memoirs. In 1979, four years before his death, Williams was inducted into the American Theater Hall of Fame.

Abandoned by her husband, Amanda Wingfield comforts herself with recollections of her earlier, more gracious life in Blue Mountain when she was pursued by 'gentleman callers'. Her son Tom, a poet with a job in a warehouse, longs for adventure and escape from his mother's suffocating embrace, while Laura, her shy crippled daughter, has her glass menagerie and her memories. Amanda is desperate to find her daughter a husband, but when the long-awaited gentleman caller does arrive, Laura's romantic illusions are crushed.

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##An emissary from a world of reality that we were somehow set apart from. The long delayed but always expected something that we live for.

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##An emissary from a world of reality that we were somehow set apart from. The long delayed but always expected something that we live for.

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##一、断电的灯泡,不愿醒的梦 光启,三十年代的美国中产阶级的生活环境便出现在了舞台上。 温菲尔德家住在一栋楼房的后部,面对着喧闹的歌舞厅,进出靠一架救火梯。我猜想这救火梯或是田纳西·威廉斯青年时代的深刻记忆,要么是对温菲尔德一家生活状况的诗意嘲讽——“因为所有...  

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##瑕不掩瑜的美丽——ending speech oh our sweet, sweet Laura. Williams描写气氛的确是一绝。娃娃屋八音盒旋转木马一样的泡影回忆。虽然对于写作动机有点感到怪怪的、结尾的extra essay catastrophe of success让我感到好不对劲、不清楚(可能半夜读完脑子没有proper functioning)但不管怎么说只要能让我掉眼泪

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