Erik Larson’s latest work of narrative nonfiction is DEAD WAKE: THE LAST CROSSING OF THE LUSITANIA, which became an immediate New York Times bestseller. His saga of the Chicago World’s Fair of 1893, THE DEVIL IN THE WHITE CITY, was a finalist for the National Book Award, and won an Edgar Award for fact-crime writing, and lingered on various NYT best-seller lists for the better part of a decade. Hulu plans to adapt the book for a limited TV series, with Leonardo DiCaprio and Martin Scorsese as executive producers. Erik’s IN THE GARDEN OF BEASTS, about America’s first ambassador to Nazi Germany and his daughter, has been optioned by Tom Hanks for development as a feature film.
His next book, THE SPLENDID AND THE VILE: A SAGA OF CHURCHILL, FAMILY, AND DEFIANCE DURING THE BLITZ, due out in early spring 2020, is a story of geopolitical brinksmanship during Churchill’s first year as prime minister, but also an intimate domestic drama, set against the backdrop of Churchill’s prime-ministerial country house, Chequers, and his “full-moon home,” Ditchley, where Churchill, his family, and his “Secret Circle” convene when the moon is in its brightest phases and the bombing threat is highest.
Erik is a former features writer for The Wall Street Journal and Time. His magazine stories have appeared in The New Yorker, The Atlantic Monthly, Harper's and other publications.
He has taught non-fiction writing at San Francisco State, the Johns Hopkins Writing Seminars, the University of Oregon, and the Chuckanut Writers Conference, and has spoken to audiences from coast to coast. A former resident of Seattle, he now lives in Manhattan with his wife, a neonatologist and author of the nonfiction memoir, ALMOST HOME, which, as Erik puts it, "could make a stone cry." They have three daughters in far-flung locations and professions.
On Winston Churchill's first day as prime minister, Hitler invaded Holland and Belgium. Poland and Czechoslovakia had already fallen, and the Dunkirk evacuation was just two weeks away. For the next twelve months, Hitler would wage a relentless bombing campaign, killing 45,000 Britons (30,000 of them Londoners) and destroying two million homes. It was up to Churchill to hold the country together and persuade President Franklin Roosevelt that Britain was a worthy ally--that she was willing to fight to the end.
##聚焦1940年5月到1941年5月丘吉尔临危受命 喜欢生动有电影感的文风 既有战火连绵和硝烟飞扬 也有普通民众非常时期的艰辛与苦中作乐 想想防毒面罩仅是稀松平常的画面 扛过疫情依旧难以想象如何咬紧牙关挺过战乱 丘吉尔着实是位伟大的领导者 能激发国民恒久的勇气和希望是比调度军马更为难得的品质 给团队写的公文要简短memo真是宝藏! 愈发喜欢Clementine 训斥戴高乐毫不嘴软真是太霸气了 极其向往她和丘吉尔既能共甘苦谋大计又能为彼此留有空间的婚姻关系 对Mary很有好感 她的日记读来既有年轻女孩子的浪漫敏感又不乏对家国大事的关注和对父亲的体恤 读至尾声 虽然战局尚余几年 但光明的轮廓已经让心绪变得敞亮 竟有一丝熬过来这一年多而产生的共鸣感 Epilogue读完预料之外满满暖意 爱不释手!
评分 评分##记录丘吉尔和二战的书太多了,这本还能挖出新角度,并且写得如此好看,不容易。 作者从各种书信日记中拼凑出丘吉尔40年临危受命后一整年的英国全景。首相铁打的抗战决心和演讲技能自然是重点,让民众既沉痛直面现实又深受鼓舞。另一关键是他很早认清现实,处心积虑woo罗斯福。英国作为全村最后的希望如此顽强,真的非他不可。 感慨于聚光灯之外几位执行者的重要性--傲娇的Lord Beaverbrook打破常规加速造战斗机,病殃殃的Harry Hopkins促成英美牵线,他们实际改变了战争走向。 希特勒副手Hess孤身飞入英国太神了,为Führer忠诚奉献到失了智,这段真有意思。 通篇回顾,狂轰乱炸下英国人的生活并未停滞。年轻人还在恋爱,夜店依旧欢歌。无论夜幕如何残酷,天亮后万物生长,可谓奇迹般的韧性。
评分##“When I look back on the perils which have been overcome, upon the great mountain waves in which the gallant ship has driven, when I remember all that has gone wrong, and remember also all that has gone right, I feel sure we have no need to fear the tempest. Let it roar, and let it rage. We shall come through” - W. Churchill
评分##只能當花邊新聞看,是作者較差一本。
评分##用近乎小说的写法,叙述了1940年5月到的941年5月丘吉尔作二战期间英国首相第一年的点点滴滴:40年5月底6月初的敦刻尔克,9月开始的德国空军对伦敦和英国其他地区的轰炸,丘吉尔对罗斯福及其特派人员的“投怀送抱”但又同时要面对本国人民对他过分依赖美国的批判,还有他身边亲近人物的故事(女儿Mary,私人秘书之一的Colville-这两人的日记有被作者大量引用),以及一些普通英国民众的心酸(作者依旧是引用私人日记和一些杂志收集的读者回复)。看得出作者是用心的,也是想在众多的丘吉尔/二战研究作品中脱颖而出独树一帜。文笔并没有很特别,感觉还可以再精雕细琢一些,不过估计也就不会有那么大的受众了吧。
评分##好看好看好看!只讲了一年的历史,但密度很大,丘吉尔身边大到军事计划小到秘书的恋爱史都提到了。虽然很长字体很小,读得不轻松,但写得非常有画面感,历史和当事人的感想穿插,有层次深度。
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