具體描述
村上春樹（1949- ），日本小說傢。曾在早稻田大學文學部戲劇科就讀。1979年，他的第一部小說《聽風之歌》問世後，即被搬上瞭銀幕。隨後，他的優秀作品《1973年的彈子球》、《尋羊冒險記》、《挪威的森林》等相繼發錶。他的創作不受傳統拘束，構思新奇，行文瀟灑自在，而又不流於庸俗淺薄。尤其是在刻畫人的孤獨無奈方麵更有特色，他沒有把這種情緒寫成負的東西，而是通過內心的心智性操作使之升華為一種優雅的格調，一種樂在其中的境界，以此來為讀者，尤其是生活在城市裏的人們提供瞭一種生活模式或生命的體驗。
"A stunning work of art," the New York Observer wrote of The Wind-Up Bird Chronicle, "that bears no comparisons," and this is also true of this magnificent new novel, which is every bit as ambitious, expansive and bewitching. A tour-de-force of metaphysical reality, Kafka on the Shore is powered by two remarkable characters. At fifteen, Kafka Tamura runs away from home, either to escape a gruesome oedipal prophecy or to search for his long-missing mother and sister. And the aging Nakata, who never recovered from a wartime affliction, finds his highly simplified life suddenly upset. Their odyssey, as mysterious to us as it is to them, is enriched throughout by vivid accomplices and mesmerizing events. Cats and people carry on conversations, a ghostlike pimp employs a Hegel-quoting prostitute, a forest harbors soldiers apparently unaged since World War II, and rainstorms of fish fall from the sky. There is a brutal murder, with the identity of both victim and perpetrator a riddle. Yet this, like everything else, is eventually answered, just as the entwined destinies of Kafka and Nakata are gradually revealed, with one escaping his fate entirely and the other given a fresh start on his own. --This text refers to an out of print or unavailable edition of this title.
用戶評價
##聖誕節在傢一口氣把它看完，讀到最後一頁莫名的想哭。好久沒有一本書帶給我這樣的感受。請珍惜生活。
評分##1．看完瞭《海邊的卡夫卡》，覺得有些作傢天賦就是寫短篇的。寫短篇與寫長篇與其說是一種纔能，不如說是天生的心性。（這麼一說，我喜歡的作傢幾乎都是寫中短篇的。寫長篇的一個也沒有。）寫長篇首先需要的是一種結構力。這可不是普通的結構力，而是一種能夠把讀者“結構”進來...
評分##這個英文版還是很好讀的。不爽的是國內買居然更便宜！！
評分##這個英文版還是很好讀的。不爽的是國內買居然更便宜！！
評分 評分相關圖書
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