具體描述
On the heels of his bestselling Soviet Bus Stops, photographer Christopher Herwig locates fresh wonders of the Soviet vernacular in Georgia, Ukraine and Russia itself
After the popular and critical success of his first book, Soviet Bus Stops, photographer Christopher Herwig has returned to the former Soviet Union to hunt for more. In this second volume, as well as discovering new stops in the remotest areas of Georgia and Ukraine, Herwig turns his camera to Russia itself. Following exhaustive research, he drove more than 9,000 miles from coast to coast across the largest country in the world, in pursuit of new examples of this singular architectural form.
A foreword by renowned architecture and culture critic Owen Hatherley reveals new information on the origins of the Soviet bus stop. Examining the government policy that allowed these small architectural forms to flourish, he explains how they reflected Soviet values, and how ultimately they remained—despite their incredible individuality—far-flung outposts of Soviet ideology.
The diversity of architectural approaches is staggering: juxtaposed alongside a slew of audacious modern and brutal designs, there are bus stops shaped as trains, birds, light bulbs, rockets, castles, even a bus stop incorporating a statue of St. George slaying the dragon. An essential companion to the first volume, this book provides a valuable document of these important and unique constructions.
用戶評價
##都是極權主義，審美還是差太多。
評分##恣意張揚、充滿想象力的建築，卻是孤獨與落寞的舊車站，坐在裏麵等車的人們，還在奮力生活著尋找希望
評分##可愛！想去搭公交。
評分 評分##類型學做得不是很好，不少不是車站的地方，然後普裏皮亞季車站都沒給個全景……
評分 評分##恣意張揚、充滿想象力的建築，卻是孤獨與落寞的舊車站，坐在裏麵等車的人們，還在奮力生活著尋找希望
評分 評分##這本的車站主要集中在俄羅斯，但論驚艷的程度，的確不如第一本
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