Sputnik Sweetheart

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Haruki Murakami
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Vintage 2002-4-9 Paperback 9780375726057

具體描述

村上春樹(1949- ),日本小說傢。曾在早稻田大學文學部戲劇科就讀。1979年,他的第一部小說《聽風之歌》問世後,即被搬上瞭銀幕。隨後,他的優秀作品《1973年的彈子球》、《尋羊冒險記》、《挪威的森林》等相繼發錶。他的創作不受傳統拘束,構思新奇,行文瀟灑自在,而又不流於庸俗淺薄。尤其是在刻畫人的孤獨無奈方麵更有特色,他沒有把這種情緒寫成負的東西,而是通過內心的心智性操作使之升華為一種優雅的格調,一種樂在其中的境界,以此來為讀者,尤其是生活在城市裏的人們提供瞭一種生活模式或生命的體驗。

Haruki Murakami, the internationally bestselling author of Norwegian Wood and The Wind-Up Bird Chronicle , plunges us into an urbane Japan of jazz bars, coffee shops, Jack Kerouac, and the Beatles to tell this story of a tangled triangle of uniquely unrequited loves.

A college student, identified only as “K,” falls in love with his classmate, Sumire. But devotion to an untidy writerly life precludes her from any personal commitments–until she meets Miu, an older and much more sophisticated businesswoman. When Sumire disappears from an island off the coast of Greece, “K” is solicited to join the search party and finds himself drawn back into her world and beset by ominous, haunting visions. A love story combined with a detective story, Sputnik Sweetheart ultimately lingers in the mind as a profound meditation on human longing.

Haruki Murakami, the internationally bestselling author of Norwegian Wood and The Wind-Up Bird Chronicle , plunges us into an urbane Japan of jazz bars, coffee shops, Jack Kerouac, and the Beatles to tell this story of a tangled triangle of uniquely unrequited loves.

A college student, identified only as ?K,? falls in love with his classmate, Sumire. But devotion to an untidy writerly life precludes her from any personal commitments?until she meets Miu, an older and much more sophisticated businesswoman. When Sumire disappears from an island off the coast of Greece, ?K? is solicited to join the search party and finds himself drawn back into her world and beset by ominous, haunting visions. A love story combined with a detective story, Sputnik Sweetheart ultimately lingers in the mind as a profound meditation on human longing.

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##對“我”和學生(女伴的兒子)最後的那段特彆印象深刻

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##前期作品一直都彌漫著一種感傷的虛無主義,寫的是消費時代下大眾的孤獨主題。在這篇小說中,孤獨的主題仍被繼續延伸。當堇自從發現對敏的心意時便將其稱作“斯普特尼剋戀人”,斯普特尼剋的音譯是旅伴的意思,但發射的兩顆斯普特尼剋衛星卻沒能收迴,因此斯普特尼剋的隱藏含義卻是孤獨。此次村上將孤獨的主題發揮到極緻。但在作品中,在孤獨主題前提下,開始瞭自我尋找、自我質疑的寫作意識,K常常在自問我是什麼,我在追求什麼,我要往哪裏去,村上開始自我的尋求定義與確定,這與以往的“都市文學”有所進步,不再是那種文本的陌生化,保持著一定的距離,隻一味地沉浸在自己所營造的世界中,由介入精神的尋求到至今的承擔起文學救贖。

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##昨晚看完瞭人造衛星情人。並不特別喜歡,覺得相對於近期看的尋羊和發條鳥都比較遜色。這本書把他一貫的題旨說得太白瞭一點,很多時候對於他作品裡的隱喻都有點迷惑,不敢肯定自己真的讀懂瞭,但這多少也就是他的魅力所在;也許因為這樣,看完以後沒有一貫的感動,不免有點失望...  

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