具體描述
Giovanna's pretty face has changed: it's turning into the face of an ugly, spiteful adolescent. But is she seeing things as they really are? Into which mirror must she look to find herself and save herself?
She is searching for a new face in two kindred cities that fear and detest one another: the Naples of the heights, which assumes a mask of refinement, and the Naples of the depths, which professes to be a place of excess and vulgarity. She moves between these two cities, disoriented by the fact that, whether high or low, the city seems to offer no answer and no escape.
用戶評價
##喬凡娜為什麼拒絕被她奉為男神的Roberto的冷淡求歡，而委身於傲慢猥瑣的Rosario？大概就在於這是她自己的選擇，她享受選擇帶來的快樂，或者痛苦，而不是在“沒得選”的優越環境裏接受命運的安排。 故事的結尾雖然令人咋舌，卻完全體現瞭整本書的內在邏輯——不滿足於自己“應該有”的形象，勇敢地穿梭在美麗與醜陋、高雅與低俗、富裕與貧窮、真誠與僞善之間，打破界限，尋找真正的自我。
評分##“I was ashamed because my parents were ashamed .” I understood that they were ashamed of my failure, maybe it was the only feeling they still had in common.孩子感受到的纔是真實的，被隱藏起來的感受。Lies, lies, adults forbid them and yet they tell so many.
評分##前半部分非常精彩，到瞭中間高潮之後突然就泄氣瞭，後半部分有點綿軟無力
評分##有一種感覺，費蘭特一輩子沒走齣少女時代。 很喜歡她對於少女成長過程中腦內各種微小的疑惑與糾結的探討。並不總是粉紅色的少女心，與不知何處而來也不知如何解決的問題。 對於Roberto的幻滅處理得非常好，結尾突兀，但是也有一種乾脆的美感。 總體來說比起那不勒斯四部麯我更喜歡這本。
評分##Coming of age是明明已經從黑白分明的童話跌進充滿灰色地帶的現實，心靈和思想卻要命地滯後瞭。
評分##感覺像是coming of age類型的書
評分##感動中國，終於看完 雖然我也不懂一本意大利文的書我看它的英譯本的意義在哪裏（x）
評分##Coming of age是明明已經從黑白分明的童話跌進充滿灰色地帶的現實，心靈和思想卻要命地滯後瞭。
評分##放逐，童年陰影，焦慮與不安，總要交織的愛與恨，容貌愈發接近父母的恐懼…還是那個Elena Ferrante，這本的格局小得多，也沒什麼時間跨度，雖然和四部麯比較不太閤適，但確實相差很遠。能再讀到Elena Ferrante就是好的。
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