具体描述
Hiroshi Sugimoto has explored ideas of time, empiricism and metaphysics through a surreal and formalistic approach since the 1970s. A self-described "habitual self-interlocutor," Sugimoto uses the camera as a bridge between abstract questions and the quiet, comical nature of modern everyday life. Whether formally photographing Madame Tussauds wax figures and the wildlife scenes at the American Museum of Natural History, or opening the lens of his eight-by-ten camera to capture a two-hour-long film in one exposure, he explores themes of consumerism, narrative and existence in rich and evocative imagery. This new project presents a survey of Sugimoto’s iconic work, from his calm seascapes to his more recent exploration of lightning fields and photogenic drawing. Created in conjunction with an upcoming exhibition at Fundación Mapfre in Spain, the survey includes an introduction and essay by writer and curator Philip Larratt-Smith, an interview with Sugimoto and text by the prominent Brazilian artist Iran do Espírito Santo.
用户评价
##闪电像藏在黑夜中的树脉 /电这个词被认为源自古希腊的elektron，意思是“琥珀”。
评分##后面是关于作品的访谈
评分##看到了几张新的剧院系列。后面的访谈很不错，可以了解创作背景和动机有，但杉本对彩色不是看好，觉得比较cheap-looking
评分##杉本博司的主要作品+对谈。
评分##＃补标 2019＃
评分##广州方所 8x10的柔软
评分两个系列很牛逼。
评分##看到了几张新的剧院系列。后面的访谈很不错，可以了解创作背景和动机有，但杉本对彩色不是看好，觉得比较cheap-looking
评分##海景/剧场/展览标本/蜡像馆/ 喜欢他在访谈里的那句对问题坦坦荡荡的回答“你的作品是对摄影的赞歌？”“是的“ 摄影的历史是人类幻想的历史，人类看见幻影的能力就是他们拥有视觉，这说明了一切。
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